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Tadka Food Benefits in Ayurveda- बिना तड़के का खाना कई लोगों को बेस्वाद लगता है। भारत के अधिकतर होममेड फूड्स अपने तड़के लगाने के स्टाइल और स्वाद के कारण ही मशहूर होते हैं, क्योंकि खाने में तड़का लगते ही उसका स्वाद दोगुना हो जाता है। आयुर्वेद में भी खाने में तड़का लगाने का अलग ही महत्व बताया गया है। भारतीय खानपान में आयुर्वेदिक नियमों के अनुसार तड़का लगाने से कई स्वास्थ्य फायदे मिल सकते हैं। तड़के में अक्सर गर्म मासलों और तेल या घी का उपयोग किया जाता है, जो सेहत को अलग-अलग तरह से फायदे पहुंचा सकते हैं। <br/> <br/>Tadka Food Benefits in Ayurveda- Many people find food without tadka tasteless. Most of the homemade foods of India are famous because of their tempering style and taste, because as soon as the food is tempered, its taste doubles. Even in Ayurveda, the importance of adding tadka to food has been mentioned. Applying tadka in Indian food according to Ayurvedic rules can provide many health benefits. Hot spices and oil or ghee are often used in tadka, which can benefit health in different ways. In this article, let us know from Ayurvedic doctor Shrey Sharma from Ramhans Charitable Hospital about the benefits of adding tadka to food. <br/> <br/>#tadkawalakhanakhanachahiyeyanahi #tadkewalidalkhanesekyahotahai #khanemetadkalaganachahiyeyanahi <br/>~HT.97~PR.111~ED.118~
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Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
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दुनिया से मैं हारा | Guru Bhajan | Bhakti Song | Maharaj ji | #viralvideo #premrawat #trending <br/><br/>\
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Explore the intriguing world of nationalist cinema in India, a genre that has been used as a tool for propaganda. This deep dive uncovers how cinema has been manipulated to promote narratives, particularly those of Hindu nationalism. The films often portray the Hindu nationalist state as the hero, with dissenting individuals or 'rogue' nations as the enemy. This trend is not new, with roots tracing back to the early 20th century. However, the caution once exercised has given way to blatant propaganda. Despite commercial failures, filmmakers persist in their mission to 'correct' perceptions and rewrite history. This exploration also delves into the ideology of national parties like the Congress and BJP, revealing how cinema and politics intertwine in the context of the upcoming general elections. Join us as we navigate the complexities of history, propaganda, and ideologies in the realm of Indian cinema.<br/>#Nationalism #Propaganda #Cinema #HinduNationalism #IndianPolitics<br/><br/>Read Article: https://www.outlookindia.com/national/amplified-nationalism-through-cinema<br/><br/>Follow us:<br/>Website: https://www.outlookindia.com/<br/>Facebook: https://www.facebook.com/Outlookindia<br/>Instagram: https://www.instagram.com/outlookindia/<br/>X: https://twitter.com/Outlookindia<br/>Whatsapp: https://whatsapp.com/channel/0029VaNrF3v0AgWLA6OnJH0R<br/>Youtube: https://www.youtube.com/@OutlookMagazine<br/>Dailymotion: https://www.dailymotion.com/outlookindia
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