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Liverpool boss Jurgen Klopp says he's not worried about Mo Salah after their Europa League elimination
⏲ 0:43 👁 5K
Liverpool boss Jurgen Klopp says he's not worried about Mo Salah after their Europa League elimination
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Swimming pool View #viral #trending #foryou #reels #beautiful #love #funny #delicious #fun #love #yummy from pool an sari mo
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Naz (Sinem Ünsal) is a recent graduate of the police academy and lives with her uncle and her mother, a protective character. The police department, which is in pursuit of a mafia boss named Tarık Koşuoğlu (Tardu Flordun), decides to use Naz and a crazy police officer Pamir (Halit Özgür Sarı) together on an undercover mission. Pamir and Naz will move across the street from the mafia family's house like a newly married couple, gain Tarik Koşuoğlu's trust, and bring him to justice…<br/><br/>Cast: Sinem Ünsal, Halit Özgür Sarı, Tardu Flordun, Bülent Emrah Parlak, Şinasi Yurtsever, Ece Dizdar, Selçuk Borak, İdris Nebi Taşkan, Emrullah Çakay, Fulden Akyürek, Erşan Utku Ölmez, Hasan Elmas ve Şebnem Sönmez<br/><br/>CREDITS<br/>GENRE: DRAMA COMEDY<br/>PRODUCTION COMPANY: NO:9 PRODUCTIONS<br/>PRODUCER: YAĞMUR ÜNAL<br/>DIRECTOR: MURAT AKSU<br/>SCREENPLAY: ŞAHİN ALTUĞ<br/><br/>#Undercover #sinemünsal #HalitÖzgürSarı<br/>
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The Perfect Tenant Episode 5 <br/><br/>Mona is a young woman who grew up in an orphanage. She works for an Internet newspaper and has been reporting on the house arson cases that happened in different parts of Istanbul recently. Mona sees that the landlord with whom she was already fighting has put her belongings on the doorstep, and she is now homeless. She is forced to accept the offer of Yakup, whom she has just met, to become a tenant in her house, which was later divided into two by a strange architecture, as a temporary solution. However, on the first day Mona moved into the apartment, she noticed that there were strange things going on in the Yuva Apartment.<br/><br/>Cast: Dilan Çiçek Deniz, Serkay Tütüncü, Bennu Yıldırımlar, Melisa Döngel, Özlem Tokaslan, Ruhi Sarı, Rüçhan Çalışkur, <br/>Beyti Engin, Ümmü Putgül, Umut Kurt, Deniz Cengiz, Hasan Şahintürk<br/><br/>Credits:<br/>Screenplay: Nermin Yildirim<br/>Director: Yusuf Pirhasan<br/>Production Company: MF Yapım<br/>Producer: Asena Bülbüloğlu<br/><br/>#theperfecttenant #DilanÇiçekDeniz #SerkanTütüncü
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Mutant League is an animated series based on the video games Mutant League Football and Mutant League Hockey which aired from July 2, 1994 to February 24, 1996.[1] The show ran for two seasons, with the second typically incorporating more poignant stories and issues, while the first seemed somewhat hodgepodge with little regard for continuity (the Monsters have one win streak that ends twice, for instance). There are forty episodes in all, thirteen in Season 1 and twenty-seven in Season 2.[2] The series was distributed by Claster Television and produced by Franklin/Waterman 2 Productions in association with Electronic Arts.<br/><br/>During a football game, an earthquake reveals buried toxic waste, and the fumes cause all of the attendees and players to mutate, including young Bones Justice (Bones Jackson in the games). A sports federation based around the superhuman beings, the Mutant League, is formed and Bones grows up to play for the Midway Monsters. Corrupt league commissioner Zalgor Prigg constantly schemes to get the popular athlete to play for any one of the four teams he owns (Slayers, Evils, Derangers or Ooze), or if nothing else discredit him for refusing to join. Bones' search for his father and his personal quest to bring order to the league, are subplots throughout the series. Several other characters from the games such as Razor Kidd, Mo and Spew, K.T. Slayer, Grim McSlam and Coach McWimple regularly appear in the show.<br/><br/>Unlike the games, players did not die from their unique approach to contact sports; though frequently maimed to the point of losing body parts, through treatments in a machine called the Rejuvenator which bathed them in toxic chemicals, they would soon be as returned to health. The show also has no robot players (except in one episode where K.T. Slayer was benched by robotic clones of himself) and only five teams; the Monsters, the Slayers, the Ooze, the Derangers and the Screaming Evils. It also has the teams competing in all manner of sports, not just the ones seen in the games. Most commonly Football, but also hockey, basketball, soccer, baseball, volleyball and even monster truck races and sumo wrestling. As with the video games, all of these sports were modified with deathtraps and loose rules on violence to accommodate the near-indestructible nature of the players. Some episodes end with a \
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Naz (Sinem Ünsal) is a recent graduate of the police academy and lives with her uncle and her mother, a protective character. The police department, which is in pursuit of a mafia boss named Tarık Koşuoğlu (Tardu Flordun), decides to use Naz and a crazy police officer Pamir (Halit Özgür Sarı) together on an undercover mission. Pamir and Naz will move across the street from the mafia family's house like a newly married couple, gain Tarik Koşuoğlu's trust, and bring him to justice…<br/><br/>Cast: Sinem Ünsal, Halit Özgür Sarı, Tardu Flordun, Bülent Emrah Parlak, Şinasi Yurtsever, Ece Dizdar, Selçuk Borak, İdris Nebi Taşkan, Emrullah Çakay, Fulden Akyürek, Erşan Utku Ölmez, Hasan Elmas ve Şebnem Sönmez<br/><br/>CREDITS<br/>GENRE: DRAMA COMEDY<br/>PRODUCTION COMPANY: NO:9 PRODUCTIONS<br/>PRODUCER: YAĞMUR ÜNAL<br/>DIRECTOR: MURAT AKSU<br/>SCREENPLAY: ŞAHİN ALTUĞ<br/><br/>#Undercover #sinemünsal #HalitÖzgürSarı
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EVIDENCE 4:<br/>COMPARING COFFEE COLORS WHILE REDUCING THE FRAME RESOLUTION FR0M 1920x1080 PIXELS TO 960x576 PIXELS<br/><br/>Christopher Hariman Rianto deliberately split CCTV 9 footage into two segments as follows:<br/>SEGMENT 1: 15:35 – 16:59 local time <br/>The dimensions of the frame were reduced to 960x 576px, and frame rate was reduced to 10 fps. The coffee color here was captured when Agus Triono served coffee at table 54. <br/><br/>SEGMENT 2: 16:59 – 18:25 local time<br/>The frame dimensions remained full high definition 1920x108px, and frame rate remained at 25 fps. The coffee color here was captured when Sari took the coffee cup after Mirna Salihin drank from it.<br/><br/>Analysis<br/>Reducing the frame resolution from 1920x1080 pixels to 960x576 pixels in the CCTV video 9, specifically during the segments described, can have significant forensic implications, particularly when comparing coffee colors:<br/>1. Loss of Color Detail: The reduction in frame resolution results in a loss of color detail, making it challenging to accurately capture and analyze subtle differences in the coffee colors depicted in the footage. Fine variations in hue, saturation, and brightness may be lost or distorted, impacting the reliability of color comparisons between the two segments.<br/>2. Decreased Clarity: The lower frame resolution diminishes the overall clarity and sharpness of the imagery, potentially affecting the visibility and distinction of the coffee colors. Critical visual cues necessary for discerning differences in color between the segments, such as the intensity of the coffee hue or any variations in color gradient, may be compromised, hindering accurate forensic analysis.<br/>3. Impaired Color Consistency: The discrepancy in frame resolution between the segments introduces inconsistencies in the portrayal of coffee colors, as the lower resolution may alter the rendering of color information. This inconsistency makes it challenging to establish a reliable baseline for comparing coffee colors across the segments, leading to potential inaccuracies or misinterpretations in forensic assessments.<br/>4. Impact on Comparative Analysis: The disparity in frame resolution and subsequent differences in color representation pose challenges for conducting comparative analysis of the coffee colors captured in each segment. Without uniformity in resolution, color fidelity, and image clarity, it is impossible to draw conclusive findings regarding any discrepancies or similarities in the coffee colors observed.<br/>Therefore, the forensic impact of reducing the frame resolution during the specified segments of CCTV video 9 affects the accuracy and reliability of comparing coffee colors. It underscores the importance of maintaining consistent image quality and resolution to facilitate accurate forensic analysis and interpretation of visual evidence.<br/><br/>TEXT LINK:<br/>https://drive.google.com/file/d/1sQzlm6kExSNelxcchtdSO3u2TCX7PWwg/view?usp=sharing<br/><br/>The link of 37 evidence in google drive:<br/>https://docs.google.com/presentation
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