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_but-de-jeremy-team-1.webp "But de jeremy - Team 1 from isabelle jeremy")
_goal-124-jeremy-doku-124-manchester-city-1-2-manchester-united-124-final-124-emirates-fa-cup-2023-24.webp "GOAL | Jeremy Doku | Manchester City 1-2 Manchester United | Final | Emirates FA Cup 2023-24<br/>Alejandro Garnacho, a graduate of Manchester United's academy and the goalscorer against Manchester City, put on an incredible display as he helped his side win their 13th FA Cup trophy.<br/>#GOAL #Final #FACup")
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_ibtissam-tiskat-rdak-ft-t-scat-official-music-video.webp "Ghostly Kisses - There's No More Space (Live at Carter Hall)<br/><br/>Subscribe! つ(๑ _๑)つ → https://bit.ly/2AWUc2T<br/><br/>Video<br/>Director: Nicolas Brassard<br/>Assistant Director: Louis-Étienne Santais <br/>Director of Photography: Nicolas Brassard <br/>Producer: Marie Côté <br/>1st Assistant Camera: Cezar Valois<br/>Key Grip: Marc-Antoine Legault <br/>Gaffer: Étienne Hébert-Vincent <br/>Best-boy: Gabriel Boutin <br/>Composition: Louis-Étienne Santais, Margaux Sauvé<br/>String arrangements: Gabriel Desjardins<br/>Violin I: Caroline Béchard<br/>Violin II: Mélanie Charlebois<br/>Viola: Marie-Claude Perron<br/>Cello: Marie-Pier Gagné<br/>Sound & Mixing Engineer: Jérémy Cornellier<br/>Video Editing: Louis-Étienne Santais, Jérémy Cornellier, Thomas Cornellier<br/>Color Grading: Thomas Cornellier<br/><br/>Label (ex. Canada): Akira Records<br/><br/>Ghostly Kisses - There's No More Space (Lyrics)<br/><br/>I never want to be awake<br/>Every day is always the same<br/>The relentless march of time only awaits<br/>I might just face my fate<br/><br/>There is no more space in-between you and me, only shades of blue<br/>There is no more time in-between every dream brings me back to you<br/><br/>I'm so bored when I’m awake<br/>I'd rather live through yesterday<br/>Cause there is no more time to make it okay<br/>You're too far away<br/><br/>There is no more space in-between you and me, only shades of blue<br/>There is no more time in-between every dream brings me back to you<br/>Your light is all I knew<br/>You know where I'll be<br/>Only back to sleep<br/><br/>Should I forgive you after all?<br/>The clock is ticking, that's for sure<br/>Would you still care for me at all?<br/>Even if we were always at odds<br/>Would you forgive me after all?<br/>I never thought you would be gone for so long<br/><br/>There is no more space in-between you and me, only shades of blue<br/>There is no more time in-between every dream brings me back to you<br/>Your light is all I knew<br/>You know where I'll be<br/>Only back to sleep<br/><br/>There is no more space in-between you and me, only shades of blue<br/>There is no more time in-between every dream brings me back to you<br/>Your light is all I knew<br/>If you were here with me…<br/>You’d take me back to sleep<br/>Transcript<br/>Follow along using the transcript.")
_ghostly-kisses-there39s-no-more-space-live-at-carter-hall.webp "Ghostly Kisses - There's No More Space (Live at Carter Hall)<br/><br/>Subscribe! つ(๑ _๑)つ → https://bit.ly/2AWUc2T<br/><br/>Video<br/>Director: Nicolas Brassard<br/>Assistant Director: Louis-Étienne Santais <br/>Director of Photography: Nicolas Brassard <br/>Producer: Marie Côté <br/>1st Assistant Camera: Cezar Valois<br/>Key Grip: Marc-Antoine Legault <br/>Gaffer: Étienne Hébert-Vincent <br/>Best-boy: Gabriel Boutin <br/>Composition: Louis-Étienne Santais, Margaux Sauvé<br/>String arrangements: Gabriel Desjardins<br/>Violin I: Caroline Béchard<br/>Violin II: Mélanie Charlebois<br/>Viola: Marie-Claude Perron<br/>Cello: Marie-Pier Gagné<br/>Sound & Mixing Engineer: Jérémy Cornellier<br/>Video Editing: Louis-Étienne Santais, Jérémy Cornellier, Thomas Cornellier<br/>Color Grading: Thomas Cornellier<br/><br/>Label (ex. Canada): Akira Records<br/><br/>Ghostly Kisses - There's No More Space (Lyrics)<br/><br/>I never want to be awake<br/>Every day is always the same<br/>The relentless march of time only awaits<br/>I might just face my fate<br/><br/>There is no more space in-between you and me, only shades of blue<br/>There is no more time in-between every dream brings me back to you<br/><br/>I'm so bored when I’m awake<br/>I'd rather live through yesterday<br/>Cause there is no more time to make it okay<br/>You're too far away<br/><br/>There is no more space in-between you and me, only shades of blue<br/>There is no more time in-between every dream brings me back to you<br/>Your light is all I knew<br/>You know where I'll be<br/>Only back to sleep<br/><br/>Should I forgive you after all?<br/>The clock is ticking, that's for sure<br/>Would you still care for me at all?<br/>Even if we were always at odds<br/>Would you forgive me after all?<br/>I never thought you would be gone for so long<br/><br/>There is no more space in-between you and me, only shades of blue<br/>There is no more time in-between every dream brings me back to you<br/>Your light is all I knew<br/>You know where I'll be<br/>Only back to sleep<br/><br/>There is no more space in-between you and me, only shades of blue<br/>There is no more time in-between every dream brings me back to you<br/>Your light is all I knew<br/>If you were here with me…<br/>You’d take me back to sleep")
_the-mayfly-and-the-frog-1966-part-1.webp "When a young woman has her scooter damaged by a flashy Rolls Royce, she furiously tracks down the owner to his fancy apartment in order to get payment for the damages. Frustrated, she decides to break in, only to come face to face with the owner, the wealthy Gabriel Quantara. He has no intention of paying, but he finds that getting rid of her is not as easy as he thinks. And as the evening goes on the unapologetic capitalist and the free spirited ideaologist find themselves developing an unlikely bond...<br/><br/>Starring John Gielgud, Felicity Kendal, David Stoll, Isa Miranda and Jeremy Rowe, with Timothy Bateson as the voice of the unseen door attendant Barnet. This was broadcast as one of The Wednesday Plays on December 21st 1966, and was one of Felicity Kendal's earliest screen appearances. She and Gielgud make for engaging sparring partners, and it is one of only a few surviving Wednesday Plays around, due to the BBC's habit of wiping tapes. This is not one of my own videos, I have to say, but one I had fortune to save to watch later from the Youtube channel \")
_strangest-golf-rules-incidents-on-tour.webp "In this video, Neil Tappin is joined by Golf Monthly's rule guru Jezz Ellwood to discuss 7 of the strangest rules incidents to occur on tour. As golf is played in a natural landscape there is a possibility for a whole array of things to happen whilst you are playing. The fact that these rules incidents happened shows that even professional golfers can find themselves in odd circumstances whilst playing. And from watching this video, you will know what to do if you ever find yourself in a situation that is similar to one of these!")
_the-mayfly-and-the-frog-1966-part-2.webp "When a young woman has her scooter damaged by a flashy Rolls Royce, she furiously tracks down the owner to his fancy apartment in order to get payment for the damages. Frustrated, she decides to break in, only to come face to face with the owner, the wealthy Gabriel Quantara. He has no intention of paying, but he finds that getting rid of her is not as easy as he thinks. And as the evening goes on the unapologetic capitalist and the free spirited ideaologist find themselves developing an unlikely bond...<br/><br/>Starring John Gielgud, Felicity Kendal, David Stoll, Isa Miranda and Jeremy Rowe, with Timothy Bateson as the voice of the unseen door attendant Barnet. This was broadcast as one of The Wednesday Plays on December 21st 1966, and was one of Felicity Kendal's earliest screen appearances. She and Gielgud make for engaging sparring partners, and it is one of only a few surviving Wednesday Plays around, due to the BBC's habit of wiping tapes. This is not one of my own videos, I have to say, but one I had fortune to save to watch later from the Youtube channel \")
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